Emplacement and Displacement: Perceiving the Landscape Through Aboriginal Australian Acrylic Painting
نویسنده
چکیده
Aboriginal Australian acrylic paintings have long been considered representations of mythologically invested landscape. This understanding has been made problematic by recent writings on ‘dwelling’. As common usage of the term ‘landscape’ seems to prioritize vision, to suggest that the acrylic paintings are landscapes only strengthens the suspicion that they are artifacts of displacement or distancing, rather than examples of the emplacement emphasized in this ‘dwelling perspective’. However, this paper will demonstrate that the relationship between acrylic painting and the land is more complex than such an interpretation. It will argue that the Aboriginal objectification of their relationship to the land is not inherently a distancing
منابع مشابه
Collecting Aboriginal Art in the Australian Nation: Two Case Studies
Visual Anthropology Review, Volume 21, Issues 1 and 2, pages 116-137, ISSN 1053-7147, online ISSN 1548-7458. ©2006 by the American Anthropological Association, all rights reserved. Send requests for permission to reprint to: Rights and Permissions, University of California Press; Journals Division; 2000 Center Street, Suite 303; Berkeley, CA 94704-1223. By now, it is well known that Aboriginal ...
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